Palm Springs (2020)
Take Me (2017)
F Valentine's Day (2026)
Jane Austen a gâché ma vie (Jane Austen Wrecked My Life) (2024)
The Watchers (2024)
Hail The Conquering Hero (1944)
The Incredible Shrinking Man (1957) ///
Palm Springs (2020) Bright approach to inventive storyline and involving characters as initially jaded Andy Samberg inadvertently ensnares disillusioned Cristin Milioti within time loop that repeats her sister's wedding day. Refreshing leads sell nimble humor as well evolving emotion with winning energy.
Take Me (2017) Off-kilter premise of company that deals in fake abductions balances dark absurdities and sharply twisted characters as desperate Pat Healy is contracted to kidnap unpredictable Taylor Schilling. Power shifts keep motives edgy, with nicely constructed tension amid provoking humor.
F Valentine's Day (2026) Despite ironically jaundiced Virginia Garnder, cursed with birthday that coincides with provocatively exclaimed title, bland plotting provides few surprises as mismatched couples face romantic destinies. Sunny backdrops and lead though humor is strained and emotion devoid of energy.
Jane Austen a gâché ma vie (Jane Austen Wrecked My Life) (2024) Endearing portrait of romantic indecision and writer's block, as awkwardly insecure Parisienne novelist Camille Rutherford finds bi-lingual eccentricities on rural English retreat. Leisurely rhythm coupled with light touch and natural lead maintains generous humour.
The Watchers (2024) Opening section establishes clammy threat of remote Irish forest as withdrawn Dakota Fanning finds refuge in a shelter with three strangers while violent creatures stalk the night. Despite pronounced visuals, dull staging drains tension as unpersuasive narrative twists drift toward predictable conclusion.
Hail The Conquering Hero (1944) Skillfully happenstance mix of visual and verbal comedy, bursting at the seams with satiric small town themes, as discouraged Eddie Bracken returns home to adoring community who mistakenly believe he was fearless Marine. Gleaming visuals aid energetic staging and cast to provide generously wicked spirit.
The Incredible Shrinking Man (1957) Plain approach to fantasy sci-fi effectively builds creeping sense of threat and isolation for Grant Williams' everyman, contaminated by radiation cloud and facing survival battle in hostile setting of ordinary basement. Fun visual effects and strong score culminate with philosophically resonant conclusion.
Babygirl (2024) Intense portrait of self-discovery as controlling company executive Nicole Kidman is drawn into affair with confident intern Harris Dickinson, embracing domination and secrecy. Aggressive style matches raw, unguarded lead to highlight physicality and desire even if narrative tension and character emotion falters.
.jpg)
.jpg)
.jpg)
.jpg)
.jpg)
