Films: March 29 - April 4

Lady Bird (2017) 
Valkyrie (2008) 
The Paleface (1948) 
Reminiscence (2021)
The Whistleblower (2010) 
Highwaymen (2004) 
Deadfall (2012) ///

Lady Bird (2017) Generously told, sharply detailed portrait of family life as curious Saoirse Ronan navigates final school year school and spars with controlling mother Laurie Metcalf. Vivid sense of community illuminated by warm performances, genial observation, and acute emotion.

Valkyrie (2008) Solid wartime thriller builds tension through situation and character with resolute Tom Cruise and stalwart British actors making plans to assassinate Hitler. Engrossing detail and robust visuals tied to tight narrative rhythms ensures a polished production.

The Paleface (1948) After stuttering plot mechanics, comic momentum builds through fearless Jane Russell's manipulation of innocent dentist Bob Hope as they join wagon train and track down gun smugglers. Colorful production, spoofed stereotypes, spirited physical and verbal comedy. 

Reminiscence (2021) Intriguingly established future provides waterlogged Miami and tech that allows people to tap into memories. Unfortunately, despite glossy style, Hugh Jackman's noir descent into obsession for bruised nightclub singer Rebecca Ferguson remains a patchwork of better stories.

The Whistleblower (2010) Exploitation of women in 90s Bosnian sex-trafficking ring, ignored and abused by international peacekeepers and UN, seen through eyes of hurting Rachel Weisz as she battles authority threats. Tone hits uneasy balance, unflinching in visuals and performance, engulfed by grim despair.

Highwaymen (2004) Muscular opening sequences feature shock killing to establish Jim Caviezel's revenge momentum and bloody tunnel pile-up to leave Rhona Mitra as survivor and bait for the psychopath. Stripped bare of plot and character, accomplished car action can't salvage unconvincing exposition.

Deadfall (2012) Twisted family dynamics inform noirish fall for ex-boxer and ex-con Charlie Hunnam as well unhinged sibling robbers Olivia Wilde and Eric Bana. Unfolding violence in icy wilderness drags in father and daughter cops and solid parents Sissy Spacek and Kris Kristofferson. Solid technique but drama never bites.

Best Of British (76 - 80)

Major Barbara (1941)
The Scarlet Pimpernel (1934)
The Private Life Of Don Juan (1934)
The Rise Of Catherine The Great (1934)
Blanche Fury (1948) ///

Major Barbara (1941) Convinced Wendy Hiller is the titular Salvation Army leader who bemuses professor Rex Harrison and confronts wealthy ammunitions father Robert Morley. Formidable cast includes bullish Robert Newton, while gentle satire rails against hypocrisy with immaculate visuals and design.

The Scarlet Pimpernel (1934) Spirited Leslie Howard ably captures the fey English aristocrat and daring channel-hopping hero rescuing French nobles during Revolution. Devious 'frenchie' Raymond Massey and pressured Merle Oberon provide strong support amid lush sets and static storytelling rhythms.

The Private Life Of Don Juan (1934) As much a satiric deconstruction of the Douglas Fairbanks star persona as an affectionate portrait of the aging fictional character's difficulties in still climbing balconies and seducing women. Solid design and comic momentum builds to fitting resolution.

The Rise Of Catherine The Great (1934) Smartly told and opulently designed, disturbed relationship between Elisabeth Bergner's practical Catherine and Douglas Fairbanks Jr.'s dissolute Peter disintegrates as she comes to power. Patchily compelling and effecting,

Blanche Fury (1948) Driven by Valerie Hobson's eponymous heroine, who evolves from steely and calculating to passionate and caring, an evocatively framed and designed melodrama. Builds a heady, noirish atmosphere as murder is planned before resolving with brute tragedy.

Films: June 24 - 30

Rawhide (1951)  Mean Girls (2004)  Players (2024)  China (1943)  Lucky Jordan (1942) Your Place Or Mine (2023) Madame Web (2024) /// ...