The Legend Of The Lone Ranger (1981)
Genevieve (1953)
The Belstone Fox (1973)
Eagle's Wing (1979)
The Battle Of The River Plate (1956) ///
The Legend Of The Lone Ranger (1981) Elegantly framed Western action and often impressively scaled production underlines tonal confusion, with masked crusader's origin story alternately brutal revenge and playful comic book. Energy-drained lack of involvement amid expansive landscapes.
Genevieve (1953) While conceited enthusiasts John Gregson and Kenneth More race during annual London to Brighton veteran car run, weary, modern Dinah Sheridan and Kay Kendall provide empathetic balance. Gentle comedy and affectionate evocation of past, threaded with more contemporary morals.
The Belstone Fox (1973) Strikingly realized, with visuals that conjure a stark sense of nature, as the enduring closeness between fox and hound plays out with unsentimental clarity. Animal and hunt sequences well-orchestrated. Human stories less convincing, despite assured cast.
Eagle's Wing (1979) Artfully framed visuals conjure hostile, bewitching wilderness for obsessive rivalry between army veteran Martin Sheen and Indian leader Sam Waterston for a white stallion. Minimal dialog and potent atmosphere focuses on clashing cultures and broken hopes.
The Battle Of The River Plate (1956) Rigorous, controlled visuals accentuate tension of naval battle and subsequent waiting game between British and German forces in South American port. Sympathetic character detail enriches the personal, while local colour underlines shifting politics and humour.
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